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cam’ron – tell u a true story كلمات اغاني

[cam’ron speaking]
first of all, platinum, five months, holla. you know i go away for two months, and the riff raff come back with this bullsh_t, man. this what y’all come back with after 6 months, this filth? what the peanut b_tter and jelly bullsh_t going on, huh brazzi? ya n_ggas ain’t even worth my f_cking rhymes, man. yeah, i tried to be modest on y’all b_tch ass n_ggas, but i guess i am the f_cking best, man. these old n_ggas coming out with this bullsh_t, man. you ain’t even got no “ether” for me, man? huh? this n_gga older than me and still a little n_gga, man. but what i’ma do is i’ma tell you a true story. this right here is true still, this is real life right here. this little f_ggot n_gga naynay, he’s a little dirt boy. you know the n_gga on your block that you, that p_ssed on himsеlf, you might’ve called him shorty sh_t stain? you know the shorty sh_t stain on your block? that’s him
but anyway man, bеsides that, we see this f_ggot n_gga downtown at the w hotel. he from the bronx. queens, don’t let him fool y’all. he’s a f_ggot from the bronx. he comes over there to try to get a new identity with y’all. he’s a h0m_. please don’t be fooled. but anyway, we see the f_ggot n_gga down at the w. my man five finger knows that n_gga
he tells him, “ayo, where the f_ck you’re going? come here. you better fall back on this whole situation.”
he says, “no, i ain’t got nothing to do with it. i’m just trying to rhyme. i’m just trying to get on. i ain’t on it like that.”
“you sure?”
“i’m_i’m sure.”
“okay, you could leave now.”
we let him leave

i see the same b_tch ass n_gga at the mtv awards with the kid, um, wiz, from “oochie wally” and, um, my man, e. e’s a young n_gga. he’s coming up. he’s a real n_gga. i’ll tell you about e in a minute. but they want to get my number, you know, to squash the whole sh_t, and because of e, i gave them my number. i gave them my number only because of e. that was my little man. i used to give e pies; he used to flip them sh_ts like he had spatulas, right in the bridge, but that’s another story
so these dudes, i get a phone call about three days later. some dude is on the phone, “yo i’m so_and_so, i claim this and claim that. yo, yo, what set you claim?”
i’m like, “woah, woah, woah, woah, woah, woah, woah, woah, woah. what are you talking about, man?”
“nah, i’m so_and_so, i’m only squashing it for nas and them on the strength ‘cause you claim this and mans is doing that and they claim this, that and the third.”
but while he’s talking, i hear an operator come on about two minutes later saying, “this phone call is from a federal prison in new york state.”
i said, “what kind of peanut b_tter and jelly sh_t is this?” you feel me, brazzi?
i hung the phone up on that b_tch ass n_gga. i mean what kind of um, ah, aye, it ain’t even, that’s self_explanatory. i’m not even gonna get into that
but worse than that, the kid e, back to my man e. e is with queensbridge. he’s from the bridge. he’s with nas and them. that’s just my man. we have some other business we do. i see him with nas at the mtv awards. he calls me about two weeks later, “yo cam, i got to go in. i got to get ready to do a bid. i need 500 dollars.”
i’m thinking to myself, “wasn’t you just with nas and you’re calling me for 5?” i’m like it’s all good ‘cause that’s my man from back in the days. you need 5 cash, you got it. boom. come meet me. you need five, you got five. but this dude is from the bridge, vernon side. i mean he’s with nas and them. if you don’t get the gist of what i’m trying to tell you, that’s like my man, jim jones, santana and one of them, going to nas asking for 500 dollars. your crew ain’t [?] for you, huh? my n_ggas? we got 2002, 2003, we ordered the 2004 to be here this january, out, guaranteed

but i mean, this n_gga never been a leader anyway, man. he abandoned the firm. he yelling out bravehearts but running behind murder inc. yo, shout out to gotti and ja. y’all some smart ass n_ggas, man. i’m proud of y’all n_ggas, man. y’all gon’ have nas rapping another ten years for y’all n_ggas. you gon’ be working for ja. he gonna retire in two years, man. you gon’ be 48 rapping, you dumbass. hmph. but what the f_ck i really expect man? this n_gga can’t even control his baby mother. this b_tch holding press conferences, going to the newspaper. i mean like godd_mn. she got more press out this sh_t than everybody. me, i would’ve grabbed my baby mother by the neck, told her sit her ass down, read a book, and be glad that you f_cking know me

oh yeah, and y’all n_ggas lying to these people talking ‘bout n_ggas got my jewelry, man; i got robbed. please. check me. all the jewels is here, man. they ain’t going nowhere. holla at your boy, man. stop lying to these f_cking people, man. stop. i’m the truth, man, but what i am going to do, i’ma double up. i’m putting eight rings on one hand. i’ma wear 42 chains. i’ma get another hole in each ear and i’ma start rocking four earrings at a time, and i’m coming out dolo, [?], holla at your boy, man

[juelz santana]
yeah
[?]
y’all

[cam’ron]
ayo, santana, holla at these n_ggas, man

[verse: juelz santana]
this n_gga got to be stupid
nashawn, running his mouth, man, why did he do this?
he don’t understand it’s not just the music
it’s war, violence included, and i will abuse it (yup)
shoot and pop at your movement
don’t get mad ‘cause we’re the champions and y’all are the losers
y’all are the duckers, my squad is the shooters
y’all are the pumpers, my squad is the movers
y’all ain’t f_cking with us
keep laying them dry threats
i’ll make it hard for you to digest the food that you process
now you’re really f_cking with god’s best
i will point, i will aim and fly planes in your projects
you ain’t nothing but a sidekick
rolling, strolling, and holding on nas d_ck
i’m a star standing next to a star
see me, you see cam, you see a car next to a car
i see you, i see your man in a next n_gga car
it’s obvious nas got no respect for his squad
you got sent on a doja mission
you’s a b_tch with ho intentions, you need to get f_cked
that’s why i sent some h0m_s to come get you
lolo, bobo, and mr. pump pistols
you f_ggots is done dizzle for rizzle
you’re f_cking with boys that grip and pump pistols
talk about chains being sn_tched
cormega sn_tched yours and gave it back, pause
rewind, your peoples can’t ignore me
no ether can’t destroy me, i’m here for real, f_cker
yeah
[jim jones speaking]
f_ckers
i heard you, santana. yes sir. this is none other jim jones, n_gga. capo status dipset, n_gga, you f_cking little f_ggot

nashawn, you little punk, man, i’m way out your league, and you know this, man. i would’ve sent my yg’s to come get you. i’ll let lil neenee f_ck you up, you little f_ggot, man. i got a couple things to say to you, man. my man, [?], [?], [?] and them playing f_cking roulette with your f_cking punk ass. you f_cking, [?] you’re crying, man. listen, you know what else, man. how you gonna go home, man? you’re not allowed in the bx man. no. you’re not allowed in ghost town no more. you heard me. please, we gon’ ride on that, man

as for nas, man, i guess you ain’t muslim no more, man, so you know what that means. i’m going to smack that f_cking kufi off your f_cking head, man, ‘cause i had a little issue with my akis, man. they was telling me, “be cool with the, with the little f_cking kufi sh_t.”, but nope. here it goes, kufi straight off your f_cking punk ass head. i called you a hermaphrodite before, but you’re really a transvestite, you little h0m_, man. and i’ma stop wasting my breath on you, man. you’re speaking to a ceo, n_gga. capo status, i’m the boss, man. you’re not even a don, man. you’re not even a capo, man. you’re on a [?], man. i don’t know the clergy system, but i know you’re the f_cking little doja in the regime, you little f_ggot, man

diplomat records, man. that’s what’s up, you hear me? and i ain’t famous, man. all the famous people know me, and i’m real [?], so please do the history on that. holla

sh_t, man. i guess these n_ggas don’t get it at all, man. i don’t know what the f_ck…

- camron

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