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talib kweli & j. rawls - pay homage كلمات أغنية

[intro]
feel so good
baby [?]
come on, come on
and if you need it, baby
come on, come on
[?]
yeah, check it, look

[verse 1]
ouble back for them n_ggas that didn’t hear me (uh_huh)
i’m back for them n_ggas that used to fear me (yeah, yeah, yo, check)
there’s no one nearly as good as me, evidently
chic dinners up at the gates like heaven sent me
these n_ggas ready, ain’t fire, i got the semi
switch to automatic for n_ggas that’s tryna get me
if you ever got mе, it probably wasn’t to lit me
bright future, light bulbs cl!ck and i see the еnvy
light at the end of the tunnel, it got me sprinting
run for some cover ’cause i’ma squeeze ’til it’s empty
don’t let me in that door
especially if you got a girl that’s pretty with a little splash of wh0re
i can never marry me
i’m married ’cause she’ll probably have a baby out of nowhere
and i’m not who it’s for
it can’t be no divorce
if we locked in and we locked in times more
so if i’m locked down, i expect a little more
because if you locked out, i got the keys to the door
[interlude]
good [?]
there’s always a family affair, man
the [?] is in the building
you heard?
come on, come on
so come on, so come on
you need it, baby
yeah

[verse 2]
pakistan, charcuterie, charbroil, your kebabs
my lady got love for the gods, something beautifully
as time flies, the best is kept
inside the mind of the old man, reminiscing in retrospect
open your pupils to the pupils, [?] medallions
together that’s the hit squad, woo and juice [cool?]
over the instrumental, i spread the gospel like a sufi apostle
dealing with west african mysticism
l!ck off a hollow ’til they free the congo
for what they did to palestine, she’ll be noticed as the seasons follow
government workers hustle for kickbacks
but the most tired will always get his l!ck back
every ten minutes, it’s a homicide over dispatch
society eats the young and won’t admit that
i hit the booth and spit the p_rn, righteous witch rap
shout out to big twins and mishaps
j. rawls, this sh_t is fire
truly inspiring, my n_gga did that
me and a’s back to back like knick_knack, paddywhack
give a dog a phone, see how i flip that
it’s big facts
[interlude]
come on, come on
pay homage
so come on, so come on
you need it, baby
[?]
come on, come on
so come on, so come on
you need it, baby

[verse 3]
we like epmd in these fishermen’s
exhibited diligence
i make a pig squeal like deliverance
just for telling what a tragic development we enveloped in
these devils find it hard to face the magic of melanin
the pro_blackness is fast
it’s type intergalactic, plus i’m hungry like it’s limited rations
droppin’ out new sh_t ’cause i refuse to just live in the past
tense about that action, i never act in primitive fashion
every verse create a civilization, we facin’ imminent dangers
raisin’ babies on the minimum wages
fillin’ my pages with the wisdom of sages
the lexicon was megatron, the neighborhood was claimin’ decepticon
through the ghettos of the mind like the mechadon
spittin’ game through the debutantes for real, the gods ill of the megalion been witness to a real nicaraguan
for real, the gods iller than megalon
bare witness to a real n_gga renaissance
i’m symbolizin’ you beast and you say you eatin’, son
i’m feastin’ like pentecost
[interlude]
good [?]
come on, come on
and you need it, baby
yeah

[verse 4]
if you can think it and imagine it, it ain’t big enough, go bigger
you just now got a bar, go figure
so what you figure?
rhyme wise, i do the figure eight
play it louder in the back for all my n_ggas that’s late
all my rhymes donate like melinda french gates
at the estates by the water fountain
you can sit and wait
feed the coy cowboy corduroy, web, the boys
with a license to ill like the beastie boys
technically, i’m unemployed
still fillin’ the void, right?
n_gga, my house ike frank lloyd wright
that’s the difference between livin’ in hanc_ck park and boyle heights
all my rhymes sound spoiled on the mic
but truthfully, it’s for the babies, right
basically, what i’m sayin’ is
pay homage to the foundation
when you talk about both greens and both chasin’

[outro]
good [?]
come on, come on
so come on, so come on
and you need it, baby
come on, come on
and if you need it, baby

- talib kweli j rawls

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