departure (rap) - materialist raps (in regards to loneliness) كلمات أغنية
[intro: jason segel playing david foster wallace]
i think if a book is about anything, it’s about the question of “why?”
why?
why am i watching all this sh_t?
it’s not about the sh_t
it’s about me_
_question is the “why we”
when i say we, i mean people just like you and me
mostly white, upper middle class
obscenely well_educated, doing really interesting jobs, sitting in really expensive chairs
watching the best, most sophisticated electronic equipment money can buy
why do we feel so empty?
[verse 1: departure, jason segel]
and of course you end up becoming yourself
looking into the vision of somebody else
trying to be another actor
plaster your naked body onto a forum thread
hurl racist slurs on 4chan, call it a day and go to bed
talk in demeaning manners to the people you love
take another shot, grab your d_ck and give it a hug
i’m in the mall of america threatening suicide
’cause who’s cleaning the sewers when everybody dies?
taking my jnco jorts to the dry cleaners
so i can go out like tom evans from badfinger
pure luck, endowed cessionaries
unadvancedness establishment f_cking the world in missionary
yo
we need a lieder for this art sh_t, not a performative overdiluted copycats of stoop sits
doing impressions of crops
if i’m a hospital patient spineless running through a mob
or becoming gangster just putting my neck in a kinch
to be a party slightly shoving tired c_cks in a b_tch
burn the overgeneralized and h0m_genous
commit arson on data cetners, we know what the problem is
white people are scared of what the qu’ran says
they’re coziest at the fireplace burning from dead, bombed kids
your arm is inextensible for progress
mom check: she’s smoking weed on the mic and watching cod vids
(images on a screen given to us by people who do not love us but want our money)
[hook: departure]
do you understand it now?
when i got tanned on concrete and fell to the sand’s plow
that this is a metaphor for no more handouts
and no new taxes from loose lips, fibbed out
if i was five feeling that i understood the world
i’d trade it all to make sure i was not an annoyance
to make sure i know why we jump off of buildings
and that being in love with yourself is what’s really important
is what’s really important
[outro: countdown to putsch]
disposability does not really thrill me
but there’s something so satisfiying in a tool well used
i like to drop things when they’re on their last legs
not just when they’re no longer brand new
i’ve come to realize that if i watch what i buy
i can live with very few
because i am not to be judged by what i own and call mine, but by what i say and do
the less i buy, the more i have
the very little that i hold is very good
a few things, handmade and well_designed
very little, very good
[produced by departure]
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